Why the fresh fuck did Bradley Cooper make a movie about Leonard Bernstein? For me, it only exposed Lenny as another jewish parasite aggrandized by the jew propaganda machine into "worldwide recognition" as something special. So I did a deep dive into what music Bernstein wrote. The "WRITTEN BY" credits all went to great composers such as Mahler, Beethoven and Voltaire. Bernstein only got "MUSIC BY" credits, most of which had arrangers and collaborators. The only "original" music I could find on Bernstein's own vanity website were just traditional folk songs which Bernstein adapted for orchestra. Now I'm wondering if he actually deserves any credit at all for the famous West Side Story music, which was "a musical conceived by Jerome Robbins" (a jew born Jerome Rabinowitz) with lyrics of course by another jew, Stephen Sondheim. All the music emanating from New York City at that time seemed to come out of a gigantic cluster fuck (literally) between jewish choreographers, jewish ballet dancers and jewish butt-boys. I was horrified by a scene portraying Bernstein at parties with "many, many hombres" talking about how much they loved chickens. Really, really loved those chickens. Was this a blatant admission that they were "chicken hawks" (euphemism for pedophiles)? Instead of the movie Maestro leaving me with the warm glow of inspiration I get from great music, I was left with a gnawing emptiness, pondering the preposterous jewish scam perpetrated on us. Even the love story at the center of the movie was about a sham marriage. I hope it goes down in flames at the Academy Awards. The makeup was awesome. Not enough to save the movie