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Once again, it's time for the FNGT!

If you don't know how this works, . That link will take you to another site to give you some additional information and tell you about some of our off-site features. That's also the site where we will host the weekly guitar threads, should Poal go down.

NOTE: That site is by invitation only. If you want an invite, and you're a regular participant, then just ask COF, Crazy, or myself.

If you do know what's going on, you probably don't need to click that link - but you may want to, to make sure you know of the other features, such as the archive or a separate forum that's invite only.

Remember, we are guests here on Poal. Let's act like it. If you're interested in supporting Poal, then .

**Once again, it's time for the FNGT!** If you don't know how this works, [click this link](https://fngt.gq/index.php?page=intro). That link will take you to another site to give you some additional information and tell you about some of our off-site features. That's also the site where we will host the weekly guitar threads, should Poal go down. **NOTE:** That site is by invitation only. If you want an invite, and you're a regular participant, then just ask COF, Crazy, or myself. If you do know what's going on, you probably don't need to click that link - but you may want to, to make sure you know of the other features, such as the archive or a separate forum that's invite only. Remember, we are guests here on Poal. Let's act like it. If you're interested in supporting Poal, then [you can donate](https://poal.co/donate).

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[–] • 1 pt

Yeah recording it is a bit of the same revelation for me. Part of it is the mixing (the rhythm parts double track okay but the solos don't) and part is the slop in my playing (I was/am capable of hitting those runs consistently in the Floyd song but I think I only nailed the one) but recording makes the gulf between what's written and what played on the record (especially for the melodic stuff) very apparent. When I'm playing through as long as my line sounds consistent with itself I'm happy then when I listen back to "Can't You See" I'm like "Whoa, he bends that way faster than me on all of these phrases." and you can't miss it because all the dissonance that is happening when you are bending out of sync.

[–] • 1 pt

Recording is the way I can tell how much I suck. The tape does not lie.