There is no way this happened naturally. They are silencing white music
The problem with music is the same problem with video games like Call of Duty. They've gotten the format diluted down to a literal science, "formula X Y and Z produces the largest audience consistently" rather than doing something risky and innovative. It sucks the soul out of music because it purely revolves around metrics, algorithms, and profitability. they literally just analyze a bunch of the most popular songs, find the most common hallmark elements, feed it through a machine and pump it off an assembly line. At that point all you really need to do is plug in an "artist" to sing along with it and fix their awful singing in post-production. Newer generations will not even know what real music is. Just this weird soulless robotic crap pretending to be human to algorithmically generate revenue.
Anyways, here's a hit romance song written by a Jew about how love is the real currency so don't take his money https://youtu.be/B06qqB7bp-w
From 1984 -
""The tune had been haunting London for weeks past. It was one of countless similar songs published for the benefit of the proles by a sub-section of the Music Department. The words of these songs were composed without any human intervention whatever on an instrument known as a versificator. But the woman sang so tunefully as to turn the dreadful rubbish into an almost pleasant sound."
That was a great rant.
You nailed it. Behind all of the "major hit" songs of the last 20 years are like 3 kike writers, who write the songs that people like Miley Cyrus go on to sing perform. They all sound the same, because they're written by the same fucking people using a formula like what you described.
Also, you didn't mention : this is more for music nerds, but this set of notes is a major part of the "formula" they found that gets listens. It's fucking disturbing to listen to mash-ups of the millennial whoop, so many douche bags and whores singing the same fucking song, always about a fucking relationship. I'm so fucking tired of hearing songs about people crying about their relationship struggles; but they keep getting made because people hear it, relate to it, and think "That song is about me and my bitch girlfriend" or w/e.
How are you hearing those 'songs' you're not wanting to hear?
Modern people are so brainwashed into thinking they have to listen to music that some in this thread probably even have radios that they turn on without a second thought. I gave that shit up back in the early 90s when I realized it was just crap they're using to program us. You should do the same if you're a person who still has a radio.
Keep 'music' for those occasions when you don't need to use your brain, and be discriminating with the type of music you allow in.
Those nigger noises masquerading as "music" have always disgusted me.
They analyze songs for two things. One is how catchy it is based on previous popular songs. The other is how sticky/comfortable it is. This is why shit sounds so much the same now. They found people are less likely to turn shit off if it feels comfortable to them. For me it actually has the opposite effect. When I hear stuff that sounds like a bunch of stuff I already heard, I hate it.
Aside from this the production is making music ridiculously uniform in sound. There is quantizing to make rhythm absolutely perfect. There is autotune to make pitch absolutely perfect. Then there is normalization of volume to make everything sound louder. As someone said, if everything is loud then there is no quiet. Apparently, young people are really comfortable with and adapted to this very mechanical-sounding, indistinct music. I really hate it. I want the imperfections of a real, live performance.
70s and early 80s punk and metal
This is true but only for NPCSs. There is still plenty of innovative music out there that’s just not ‘mainstream’. Honestly I don’t want my mainstream music to be some religiously deep experience. I want some crap to sing along to drunk with my friends.
D D D D D D D D D D D D D D D D D D D D
shit so bangin
It's some of both, but mostly it's just capitalism.
Up until the 90s many bands would be found by a record exec who would travel the country looking for popular local bands then giving them a record deal which would be promoted as "the hot new thing" the Go-Gos and Nirvana are examples. Also there were manufactured bands. C&C music factory, backstreet boys, milli vanilli, etc. The mantufactured bands would appeal to children, especially pre-teen girls, who spent lots on music and merch. The found bands would generally appeal to the teen-early 20s crowd who still spent a good chunk on music and merch.
The found bands would, if they were dumb, be locked into draconian contracts by the jews and die poor. Prince is a good example of this. If you were a reasonably smart white guy, Metallica, you could work within this system and only have about half of your money stolen by jews.
It's an open secret that if you want a hit song you have to appeal to retards. https://www.youtube.com/watch?v=YFHD7kuAqu4 Thoughout the 80s and 90s it became clear that making music for niggers and wiggers,who are retards, was more profitable than trying to find popular local bands that might not translate to popular national bands. Unemployed niggers flush with gibs would spend money on rap, while whites would just pirate the music they liked or listen to Mozart, they spent too much time at work, paying rent and re-listening to the music of their youth to be profitable.
As such the industry shifted from finding quality local bands to manufactured crap that appeals to niggers and children. That's why good new music will get 17k views on jewtube https://www.youtube.com/watch?v=pfFX5m4Bh4I because of zero promotion and a nigger yelling at it's pussy has millions of promo money.
It's just good business, hurting whites and destroying culture is just a bonus effect.
The gangsta rap era also has much to do with the private prison industry. But, that's another rabbit hole to go down entirely.
There are so many well thought out responses to this. This one makes a ton of sense
It occurred to me not long ago that NPCs can't enjoy music. A guy I was talking to said "I don't like metal because I can't follow it." I responded, "You mean you can't enjoy each instrument individually and contemplate their interactions because it's too fast?" He looked at me like I was a serial killer. This was around the time that it was revealed that redditors are NPCs incapable of actual thought. They have no inner monologue and can't visualize. Their reactions are strictly based on social programming and instincts.
Around that time I was listening to Mgła and my gf said it was boring. It occurred me to me she was incapable of understanding that the drums are the melody. https://www.youtube.com/watch?v=wcsTJ1n2jkE She couldn't hear the individual cymbals and how the backbeat was being woven into the fabric of the fills, all she could hear is a wall of noise with droning guitars and inarticulate lyrics. All the dynmics were lost on her due to her (slightly above) average intellect. Something like a Djembe drummer with a rhythm of literally only 2 sounds she could follow https://www.youtube.com/watch?v=FMs3LTtgwY8
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